
Literary Ghosts: The Importance Of Hamlet’s Ghost
European playwrights and poets have incorporated ghosts into their work at least since the time of Homer. But until the time of Shakespeare, most literary ghosts had two things in common: 1) They were generally served up as “light fare” whose main function was to pleasantly frighten or otherwise entertain the audience rather than to deepen the audience’s understanding of the human mind and imagination, and 2) They were meant to be taken literally as ghosts; in other words, the audience was given no reason to think that the ghost was anything more or less than the actual shade of a departed person.
Then came Shakespeare, who along with his other astonishing innovations was one of the first Western writers to offer the possibility of a psychological ghost as opposed to a literal one. In Hamlet, most notably, Shakespeare leaves open the possibility that the armored ghost of Hamlet’s father may at least in part be the product of Hamlet’s own mind—specifically, a manifestation of his guilt at his failure to take action against his father’s murderer. [Read more…] about SHAKESPEARE’S GHOSTS





